All ALLORI Alessandro Oil Paintings
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ALLORI Alessandro The banquet of the Kleopatra oil painting


The banquet of the Kleopatra
Painting ID::  45477 		Artist: ALLORI Alessandro
Painting: The banquet of the Kleopatra
Introduction: mk186 1570 Florence, Palazzo Vecchio, Studiolo di Francesco I de' Medici
   
   
     

 

 

 
 

 

 

 
ALLORI Alessandro The wedding to canons oil painting


The wedding to canons
Painting ID::  45485 		Artist: ALLORI Alessandro
Painting: The wedding to canons
Introduction: mk186 1592 Florence church Sant' Agata
   
   
     

 

 

 
 

 

 

 
ALLORI Alessandro The communion oil painting


The communion
Painting ID::  45493 		Artist: ALLORI Alessandro
Painting: The communion
Introduction: mk186 1582 Florence, Stanta Maria del Carmine
   
   
     

 

 

 
 

 

 

 
ALLORI Alessandro Cosimo I dressed in a portrait of Qingqi Breastplate oil painting


Cosimo I dressed in a portrait of Qingqi Breastplate
Painting ID::  58372 		Artist: ALLORI Alessandro
Painting: Cosimo I dressed in a portrait of Qingqi Breastplate
Introduction: mk261 Florence, about 1555-1560 years wood canvas 105 x 81 cm
   
   
     

 

 

 
 

 

 

 
ALLORI Alessandro Maria de Medici oil painting


Maria de Medici
Painting ID::  68627 		Artist: ALLORI Alessandro
Painting: Maria de Medici
Introduction: Date Deutsch: um 1555 Technique Deutsch: Öl auf Pappelholz Dimensions Deutsch: 114,5 x 89,5 cm
   
   
     

 

 

 
 

 

 

 
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     Check All ALLORI Alessandro's Paintings Here!
     Italian Mannerist Painter, 1535-1607 Born in Florence. After the death of his father in 1540 he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy. Freedburg derides Allori as derivative, claiming he illustrates "the ideal of Maniera by which art (and style) are generated out of pre-existing art." The polish of figures has an unnatural marble-like form as if he aimed for cold statuary. It can be said of late phase mannerist painting in Florence, that the city that had early breathed life into statuary with the works of masters like Donatello and Michelangelo, was still so awed by them that it petrified the poses of figures in painting. While by 1600 the Baroque elsewhere was beginning to give life to painted figures, Florence was painting two-dimensional statues. Furthermore, in general, with the exception of the Contra Maniera artists, it dared not stray from high themes or stray into high emotion. . Related Artists to ALLORI Alessandro : | Andrea Lilio | MORAZZONE | Nicolas de Largilliere | Johann Ludwig Aberli | Ivan Shishkin |

 

 

 
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